The Cow
Sydney Premiere | 2013
Upon graduating in 1964, he started a literary magazine, the Pars Review, with other Iranians who wanted to make the contemporary Iranian literature known to the West. He wrote his first script, a love story based on an ancient Persian tale and he went back to Iran with intention of turning it into a movie. However, the project collapsed and instead he made a thriller, Diamond 33, a parody of James Bond movies. The film was technically acceptable but commercially it failed.
His second feature, The Cow (Gaw) brought him national and international recognition and it is one of two films that signalled the emergence of Iranian New Cinema. The Cow was among the very first projects to receive the State funding, however, it was banned by the Shah’s censors for the dark images of Iranian rural society. The film was smuggled to 1971 Venice Film Festival and unprogrammed and unsubtitled, it turned out to be the event of festival that year. The Cow received the Critics’ Award in Venice and toured the world festivals. The Cow which is now considered as a cult film has been selected as the Best Film of Iranian Cinema in 3 different polling by Iranian critics.
Mehrjui’s third feature, Mr. Naïve (Agha-e Haloo) was a kind a reaction to his unscreened The Cow and it was a box-office hit. His next film, The Postman (Postchi) was a political metaphor based on Karl Buchner’s Woyzeck.
The Cycle (Dayereh Mina) was kept in the shelves for 4 years and then it turned to be one of Mehrjui s most successful films abroad. Mehrjui was involved in the revolution and shot miles of reels of its daily events. He settled in France for a couple of years and he could just make a docu-fiction on life of the great French poet, Arthur Rimbaud. In return, he made The Lodgers (Ejareh Neshinha), which is still considered as the best comedy of Iranian cinema. Mehrjui’s most popular film among the Iranians is Hamoon which was the most controversial film of 1990 and it marked Mehrjui’s shift from social issues to a more personal cinema.
From 1992, Mehrjui started his female-character films; 4 films in 6 years all dealing with the woman characters and -heir obsessions in the urban societies. Banoo was banned for 7 years and Sara was Mehrjui’s international hit with a couple of awards. His two title -characters films, Pari and Leila were very well received at home and his latest picture, The Pear Tree is an example of Mehrjui’s craftsmanship in directing.
Mehrjui- for the Iranian critics- is a representative of a generation of filmmakers who developed the Iranian cinema. Dariush Mehrjui’s films have already received 49 national and international awards.
Synopsis
The whole village knows that Mashti Hassan loves his cow to death. One day he goes to the Tehran. His cow dies. The villagers are afraid of what might happen once Hassan finds out his cow is dead. What will happen when he finds out?
Festivals
- Venice film festival 1971.
Production Team
Director
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Dariush Mehrjui
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Country
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Iran
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Runtime
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100 min
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Language
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Persian with English Subtitles
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Premiere Status
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Classification
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18+
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Year
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1969
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Screenwriter
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Producer
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Dariush Mehrijui
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Cinematographer
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Editor
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Cast
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Ezzatolah Entezami Firouz Behjat-Mohamadi Mahmoud Dowlatabadi, Parviz Fannizadeh, Jamshid Mashayekhi, Ali Nassirian & Ezatallah Ramezanifar
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