Mahnaz Mohammadi
Director, Writer
Well-known for her provocative documentaries on social issues, Iranian director Mahnaz Mohammadi has made headlines in the likes of The Guardian, the Hollywood Reporter or Variety, and has been supported by Amnesty International and the French Directors Guild (Société des réalisateurs de films) among others.
Mohammadi wrote and directed her first short documentary, Women without Shadows, in 2003. She instantly received praise at international film festivals for her depiction of homeless and abandoned women in a state-run shelter, and continued documenting everyday lives and struggles of people in her next couple of films.
The award-winning feature documentary Travelogue was shot on a train going from Tehran to Ankara, where Mohammadi questioned passengers about the reasons why they decided to flee the country. The film premiered in 2010 at the “A Day in Tehran” event in Paris, with the director in attendance, which became one of the reasons for Iranian authorities to ban Mohammadi from leaving the country and from producing any more films. The avid women’s rights activist also contributed to Rakhshan Bani-Etemad’s documentary We Are Half the Iran’s Population, which portrayed the demands of Iranian women in the 2009 presidential election.
Festival Attendance
Mahnaz Mohammadi
Director, Writer
Well-known for her provocative documentaries on social issues, Iranian director Mahnaz Mohammadi has made headlines in the likes of The Guardian, the Hollywood Reporter or Variety, and has been supported by Amnesty International and the French Directors Guild (Société des réalisateurs de films) among others.
Mohammadi wrote and directed her first short documentary, Women without Shadows, in 2003. She instantly received praise at international film festivals for her depiction of homeless and abandoned women in a state-run shelter, and continued documenting everyday lives and struggles of people in her next couple of films.
The award-winning feature documentary Travelogue was shot on a train going from Tehran to Ankara, where Mohammadi questioned passengers about the reasons why they decided to flee the country. The film premiered in 2010 at the “A Day in Tehran” event in Paris, with the director in attendance, which became one of the reasons for Iranian authorities to ban Mohammadi from leaving the country and from producing any more films. The avid women’s rights activist also contributed to Rakhshan Bani-Etemad’s documentary We Are Half the Iran’s Population, which portrayed the demands of Iranian women in the 2009 presidential election.
Festival Attendance
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We acknowledge Australia’s First Nations People as the Traditional Owners and Custodians of the land, and pay respect to the Gadigal people of the Eora Nation, upon whose Country the festival is based. We honour the storytelling and culture of Aboriginal and Torres Strait Islander communities across Australia.
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